Blogiarhiiv

2/15/2017

[Teaser of the day] Les Dix-Huit Secondes - DSM IV



  • Improvised music
  • Avant-garde
  • Electro-acoustic
  • Live session
  • Experimentalism
  • Psycho-acoustic

Year: 2010

[Teaser of the day] Adamned/Age - Chromosphaere

  • Ambient techno
  • IDM
  • Glitchtronica
  • Experimental techno
  • Experimental electronica

Artist: Adamned/Age
Label: Self-released/Bandcamp
Year: 2011

[Teaser of the day] Max Cavalerra - Devastate The Break


  • Techno
  • Alternative dance
  • Deep techno
  • Tech-house
  • Experimental techno

Artist: Max Cavalerra
Release: Techno Mode
Label: Broque
Year: 2017

[Teaser of the day] The Dingees - Still On the Move


  • Reggae
  • Ska
  • Brass pop
  • Crossover
  • World music
  • Alternative pop
  • Dub

Artist: The Dingees
Label: Jamendo
Year: 2010

[Teaser of the day] Magical Unicellular Music - Grin`ko Nomer Dva


  • Motorik
  • Avant-rock
  • Trance rock
  • Psychedelic rock
  • Krautrock
  • Experimental rock

Release: Aurora
Year: 2010

Che? Project – Vlack Kid Bagina (2009)



  • Avant-garde 
  • Noise 
  • Spoken word
  • Electronic music 
  • Post-industrial 
  • Experimentalism
  • Sampledelic 
  • Freeformfreakout

Comment: Che? Project`s 15-track issue is something acute, extreme, and predominant, at the same time it provides many funny segments and highly amusing snippets. In fact, it consists only of 1-minute long fragments on average. Mostly the tracks are build on the linear progressions of enchanting loops providing shrill noises and glitches or matt emergences and brownish sonic growths. At times it rings like a cutout from a frenetic video game. For instance, if you like the music of Big City Orchestra, and Zoviet France then you know very well what you could expect from it. That is a weird yet entertaining shit being released on Gorrión de Miga Records.

Rob Steady – Ask No Lies (2005)



  • Glitchtronica 
  • Folktronica 
  • Alternative pop 
  • Indie-hop 
  • Art pop 
  • Electro pop 
  • Primitronica 
  • Sampledelic 
  • Hip-hop 
  • Crossover 
  • Urban music 
  • Acid 
  • Chiptune 
  • Glitch electro

Comment: I guess the first listening time of this outing may be quite confusing because it is problematic to embrace the nature of the issue. It starts off from nothing as if arduously popping out from glitched-out chords and shrill frequencies and electronic clockwork mechanisms. All is pitched up, all is compressed to a higher sonic range. All seems to be destructed and messed up to create a new foundation for something quite off-kilter and special. At times one can recognise it to be a hectic mix of folk and hip-hop and electronic effects and at a time it will be traded for chiptune-ish bleeps and rusty electro appearances or crawling old school industrial-tinged nihilistic rhythms or unexpected samples to come in and then leave the place as quickly, for example. However, by starting the second round of its listening all seems to be clearly otherwise - the initial words of mine seems to be ridiculous and false (at least partly) because the consciousness of mine has changed throughout the course. Describe no lies. I do not know is it either about a primitive approach or very incisive sophisticated platform. Or these statements are adeptly intermingled with one another. By listening to the issue one will walk the puzzle off. However, you are lifted up from a micro level to the macro level. One is sure – it is an accomplished outing. Get it into your cerebral spheres. The issue is a part of the discography of 12rec. .